5/1/2023 0 Comments Enrique cruz the terminalAt times, he is rather warm towards Viktor’s plight, but then he switches on a dime to cold dismissiveness. As the bespectacled, cynical Customs Director, Stanley Tucci’s portrayal of Frank Dixon is unconventionally temperamental for an otherwise conventional antagonist. Somewhere in his good heart, Viktor must know his love for is a doomed love that can never be, but she becomes a beacon of hope and motivation for the displaced foreigner. She’s in the midst of an affair with a married man who won’t leave his wife for her, a scenario that leaves her emotionally vulnerable and open to Viktor’s friendliness. While it’s likely that Hanks’ performance in THE TERMINAL will not be remembered in time, it’s still a reminder of just how good he is and how unexpectedly diverse his range is.Ĭatherine Zeta-Jones plays Amelia Warren, the beautiful, elegant stewardess who Viktor pines after. However, he’s supremely intelligent and surprisingly handy, quickly learning enough English to function and make the most of his situation. He’s initially unable to speak English, so at first brush he comes off as dumb to most Americans. As Viktor Navorski, Hanks ably assumes the affectations of a generically Eastern European man. Tom Hanks’ everyman likability lends itself well to Spielberg’s sensibilities, especially in his Frank Capra micro-phase that began with CATCH ME IF YOU CAN. All in all, THE TERMINAL is a good-natured comedy about a warm, trusting man who beats the cynical bureaucrats while teaching them a lesson in basic human dignity. Viktor befriends several low-level workers in the terminal, and even manages to fall in love with a beautiful stewardess named Amelia Warren. If he does, he’ll be arrested and therefore no longer be the airport’s responsibility. He stays for nearly nine months, learning how to survive in the peculiar, contained ecosystem while dodging the attempts of Customs Director Frank Dixon (Stanley Tucci) at tricking him into leaving the terminal. He is denied entry into the US, instead having to languish in the international terminal at JFK until world events sort themselves out. While he was in the air, his country exploded into a violent coup, and now that his country doesn’t technically exist anymore, his passport and travel documents are no longer valid. Viktor Navorski (Tom Hanks) has travelled to New York City from his homeland of Krakozhia, a fictional country in the former Soviet bloc of Eastern Europe. THE TERMINAL works in the same vein as CATCH ME IF YOU CAN-a throwback to well-crafted, old-school Hollywood entertainment. The tale of an Eastern European man trapped in the international terminal at JFK proved much more charming and funnier than the trite romantic comedy it was positioned as. So color me surprised to find that I actually enjoyed the film when I finally sat down to watch it the other day. I remember that the trailers made THE TERMINAL look almost too Hollywood, like it was a maudlin or trivial experience. One of those, for me at least, is THE TERMINAL (2004)-Spielberg’s follow-up to 2002’s dual hits MINORITY REPORT and CATCH ME IF YOU CAN. For director Steven Spielberg, there are a few-but only by virtue of the sheer size of his catalog. Every director has that film that holds no interest to you, even the directors you admire.
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